@article{10336/16065,
year = {2013},
url = {http://repository.urosario.edu.co/handle/10336/16065},
abstract = {Many discussions about the music processing have occurred over the years. It is stated, on one hand, the existence of a single joint for grasping the music or any of its attributes by the Central Nervous System. Furthermore, it is claimed also the existence of multiple and diverse systems to understand each aspect of music. In general, model-independent set, studies focusing on the processing of sound components, specifically the musical tones, can significantly clarify the basic functioning of the auditory system and other higher brain functions. In this sense, one of the most prominent approaches in the study of sensory and perceptual processes of hearing, or changed unharmed, has been Neuroscience, which is interested in the interaction between the brain areas corresponding to different cognitive processes. Thus, the purpose of this study was to review the studies that dealt processing models of the attributes of tonal Western music, based on the conception that neuropsychological neural structures are interdependent sensory pathways.},
keywords = {Psicologia; Neurociência},
keywords = {percepção auditiva; processamento musical; percepção tonal; neurociência;},
keywords = {Psicología; Neurociencia:},
keywords = {percepción auditiva; procesamiento musical; percepción tonal; neurociencia;},
title = {Revisão sobre o processamento neuropsicológico dos atributos tonais da música no contexto ocidental},
title = {Revisión del procesamiento neuropsicológico de los atributos tonales de la música en el contexto occidental},
title = {Review about neuropsychological processing of tonal attributes of music  in the Western context},
publisher = {Universidad del Rosario},
keywords = {auditory perception; musical processing; pitch perception; neuroscience},
}