Ítem
Acceso Abierto
The FOMO Effect: How Limited Edition Beauty Products Influence Gen Z’s Perception of Brand Exclusivity
| dc.contributor.advisor | CLAASEN, Cyrlene | |
| dc.creator | Medina Ramírez, Natalia | |
| dc.creator.degree | Administrador de Negocios Internacionales | spa |
| dc.creator.degree | Administrador de Negocios Internacionales | |
| dc.creator.degreeLevel | Pregrado | |
| dc.date.accessioned | 2025-10-28T14:32:44Z | |
| dc.date.available | 2025-10-28T14:32:44Z | |
| dc.date.created | 2025-10-09 | |
| dc.description | El miedo a perderse algo (Fear of Missing Out, FOMO) encabezó la lista de factores que influyeron en las compras impulsivas y urgentes de los consumidores en mi investigación, mientras que las redes sociales desempeñaron un papel fundamental al reforzar la idea de exclusividad dentro de los llamados hype cycles. Los resultados muestran que la exclusividad ya no se percibe únicamente como un concepto de marketing, sino como una idea construida psicológica y simbólicamente por la sociedad. La industria de la belleza está empleando estrategias basadas en la escasez de manera intensiva, con el propósito de elevar el prestigio de las marcas y atraer a nuevos consumidores. Un ejemplo de estas estrategias son las ediciones limitadas, que no solo generan reacciones impulsivas inmediatas, sino que también atraen a grandes audiencias, aumentando significativamente las ventas a corto plazo. En general, mi investigación subraya las desventajas de depender únicamente de la exclusividad como método. Si bien las ediciones limitadas pueden generar mucha atención en un corto periodo de tiempo, su capacidad para fomentar la lealtad hacia la marca depende en gran medida de otros factores. Algunos participantes del estudio señalaron que, después de adquirir un producto exclusivo, sintieron una conexión más fuerte con la marca; sin embargo, para la mayoría, este efecto fue efímero. La verdadera lealtad solo es posible mediante una práctica constante de storytelling, construcción genuina de comunidad y alineación con los valores de la Generación Z, como la transparencia y la sostenibilidad. Este estudio constituye un ejemplo de cómo puede ampliarse la literatura existente al redefinir la exclusividad como un fenómeno psicológico y cultural dentro del marketing de escasez. Para quienes están a cargo de la toma de decisiones en las marcas, el mensaje es claro: si desean mantener el interés del consumidor más allá del entusiasmo momentáneo, deben encontrar un equilibrio entre escasez y autenticidad, generar un impacto visual y narrar la historia de la exclusividad de una manera que sea coherente con los valores de la Generación Z, con el fin de construir una lealtad duradera hacia la marca. | |
| dc.description.abstract | The fear of missing out (FOMO) topped the list of factors that influenced the buyers' urgent impulse purchasing in my research, while social networks were instrumental in supporting the idea of exclusivity within the hype cycles. The results show that exclusivity is no longer perceived as merely a marketing concept but a psychologically and symbolically-created idea by society. Beauty industry is employing scarcity-driven strategies to the extreme for the purpose of elevating the brands’ prestige and luring new consumers. One example of these strategies is limited-edition releases that not only generate the most immediate impulse reactions but also attract large audiences, and therefore short-term sales, grow tremendously. In general, my research underlines the disadvantages of depending on exclusivity alone as a method. Limited editions, while they can almost always generate a lot of attention for a short period of time, their capacity to develop the brand's people's loyalty is very much dependent on other aspects. A few participants in the study pointed out that after acquiring something exclusively, they felt a stronger connection to the brand, but, for the majority, the effect was very short-lived. True loyalty to the brand is only possible through the continuing practice of storytelling, real community-building, and being in line with Gen Z principles such as transparency and sustainability. This study is one of such examples of how the existing literature can be expanded by redefining exclusivity as a psychological and cultural phenomenon within scarcity marketing. 10 For the people who are responsible for the decision making of the brand, one thing is very crystal clear: if they want to get rid of the short-lived frenzy and still keep the consumers coming, then they have to strike a balance between scarcity and authenticity, make a visual impression, and tell the story of exclusivity in a way that would be compatible with the values of the Gen Z consumers, so as to establish a lasting brand loyalty. | |
| dc.format.extent | 104 pp | |
| dc.format.mimetype | application/pdf | |
| dc.identifier.doi | https://doi.org/10.48713/10336_46826 | |
| dc.identifier.uri | https://repository.urosario.edu.co/handle/10336/46826 | |
| dc.language.iso | eng | |
| dc.publisher | Universidad del Rosario | |
| dc.publisher | Rennes School of Business | |
| dc.publisher.department | Escuela de Administración | |
| dc.publisher.program | Administración de Negocios Internacionales | |
| dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International | * |
| dc.rights.accesRights | info:eu-repo/semantics/openAccess | |
| dc.rights.acceso | Abierto (Texto Completo) | |
| dc.rights.licencia | EL AUTOR, manifiesta que la obra objeto de la presente autorización es original y la realizó sin violar o usurpar derechos de autor de terceros, por lo tanto la obra es de exclusiva autoría y tiene la titularidad sobre la misma. PARGRAFO: En caso de presentarse cualquier reclamación o acción por parte de un tercero en cuanto a los derechos de autor sobre la obra en cuestión, EL AUTOR, asumirá toda la responsabilidad, y saldrá en defensa de los derechos aquí autorizados; para todos los efectos la universidad actúa como un tercero de buena fe. EL AUTOR, autoriza a LA UNIVERSIDAD DEL ROSARIO, para que en los términos establecidos en la Ley 23 de 1982, Ley 44 de 1993, Decisión andina 351 de 1993, Decreto 460 de 1995 y demás normas generales sobre la materia, utilice y use la obra objeto de la presente autorización. -------------------------------------- POLITICA DE TRATAMIENTO DE DATOS PERSONALES. Declaro que autorizo previa y de forma informada el tratamiento de mis datos personales por parte de LA UNIVERSIDAD DEL ROSARIO para fines académicos y en aplicación de convenios con terceros o servicios conexos con actividades propias de la academia, con estricto cumplimiento de los principios de ley. Para el correcto ejercicio de mi derecho de habeas data cuento con la cuenta de correo habeasdata@urosario.edu.co, donde previa identificación podré solicitar la consulta, corrección y supresión de mis datos. | spa |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
| dc.source.bibliographicCitation | Abdul Talib, Y. Y., & Mat Saat, R. (2017). Social proof in social media shopping: An experimental design research. SHS Web of Conferences, 34, 02005. https://doi.org/10.1051/shsconf/20173402005 | |
| dc.source.bibliographicCitation | American Psychological Association. (2020). Publication manual of the American Psychological Association (7th ed.). APA. | |
| dc.source.bibliographicCitation | Archibald, M. M., Ambagtsheer, R. C., Casey, M. G., & Lawless, M. (2019). Using Zoom videoconferencing for qualitative data collection: Perceptions and experiences of researchers and participants. International Journal of Qualitative Methods, 18, 1–8. https://doi.org/10.1177/1609406919874596 | |
| dc.source.bibliographicCitation | Belk, R. W. (1988). Possessions and the extended self. Journal of Consumer Research, 15(2), 139–168. https://research-ebsco-com.rennes-sb.idm.oclc.org/c/xckfmk/search/details/n6q72lxo45?limiters=FT1%3AY&q=Possessions+and+the+Extended+Self+ | |
| dc.source.bibliographicCitation | Berger, J., & Heath, C. (2007). Where consumers diverge from others: Identity signaling and product domains. Journal of Consumer Research, 34(2), 121–134. https://doi-org.rennes-sb.idm.oclc.org/10.1086/519142 | |
| dc.source.bibliographicCitation | Bhattacharya, A., & Dhingra, P. M. (2023). YouTube “unboxing:” An influencer of purchase intent—A quantitative study. NMIMS Management Review, 31(3), 203–213. https://doi-org.rennes-sb.idm.oclc.org/10.1177/09711023231205509 | |
| dc.source.bibliographicCitation | Bloch, P. H. (1995). Seeking the ideal form: Product design and consumer response. Journal of Marketing, 59(3), 16–29. https://doi-org.rennes-sb.idm.oclc.org/10.1177/002224299505900302 | |
| dc.source.bibliographicCitation | Braun, V., & Clarke, V. (2006). Using thematic analysis in psychology. Qualitative Research in Psychology, 3(2), 77–101. | |
| dc.source.bibliographicCitation | British Psychological Society. (2018). Code of Human Research Ethics (2nd ed.). British Psychological Society. https://www.bps.org.uk/guidelines-and-policies/code-human-research-ethics | |
| dc.source.bibliographicCitation | Bruner, R. (2016, May 24). This beauty startup has become so popular that it has 10,000 people on a waitlist for lipstick. Business Insider. https://www.businessinsider.com/how-glossier-became-so-popular-2016-5 | |
| dc.source.bibliographicCitation | Byun, S. E., & Sternquist, B. (2011). Fast fashion and in‐store hoarding: The drivers, moderator, and consequences. Clothing and Textiles Research Journal, 29(3), 187–201. https://doi-org.rennes-sb.idm.oclc.org/10.1177/0887302X11411709 | |
| dc.source.bibliographicCitation | Chang, J. (2025). The mediating role of brand image in the relationship between storytelling marketing and purchase intention: Case study of PX Mart. Future Business Journal, 11(1), 1–14. https://doi-org.rennes-sb.idm.oclc.org/10.1186/s43093-025-00447-4 | |
| dc.source.bibliographicCitation | Chitrakorn, K. (2023, March 22). Hailey Bieber’s beauty brand Rhode plots global expansion. Vogue Business. https://www.voguebusiness.com/beauty/hailey-bieber-beauty-brand-rhode-plots-global-expansion | |
| dc.source.bibliographicCitation | Cialdini, R. B. (2007). Influence: The psychology of persuasion (Rev. ed.). Harper Business. https://ia800203.us.archive.org/33/items/ThePsychologyOfPersuasion/The%20Psychology%20of%20Persuasion.pdf | |
| dc.source.bibliographicCitation | Creswell, J. W. (2014). Research design: Qualitative, quantitative, and mixed methods approaches (4th ed.). Sage. https://www.ucg.ac.me/skladiste/blog_609332/objava_105202/fajlovi/Creswell.pdf | |
| dc.source.bibliographicCitation | De Veirman, M., Cauberghe, V., & Hudders, L. (2017). Marketing through Instagram influencers: The impact of number of followers and product divergence on brand attitude. International Journal of Advertising, 36(5), 798–828. https://doi.org/10.1080/02650487.2017.1348035 | |
| dc.source.bibliographicCitation | Dhanya, D. A., & Jaidev, P. U. (2018). Consumer reactance: A review of research methodologies. International Journal of Pure and Applied Mathematics, 118(18), 4449–4466. https://www.researchgate.net/publication/325841398_Consumer_Reactance_A_Review_of_Research_Methodologies#read | |
| dc.source.bibliographicCitation | Dick, A. S., & Basu, K. (1994). Customer loyalty: Toward an integrated conceptual framework. Journal of the Academy of Marketing Science, 22(2), 99–113. https://doi.org/10.1177/0092070394222001 | |
| dc.source.bibliographicCitation | Djafarova, E., & Rushworth, C. (2017). Exploring the credibility of online celebrities’ Instagram profiles in influencing the purchase decisions of young female users. Computers in Human Behavior, 68, 1–7. https://doi.org/10.1016/j.chb.2016.11.009 | |
| dc.source.bibliographicCitation | Escalas, J. E. (2004). Narrative processing: Building consumer connections to brands. Journal of Consumer Psychology, 14(1–2), 168–180. https://www-jstor-org.rennes-sb.idm.oclc.org/stable/1480384 | |
| dc.source.bibliographicCitation | European Union. (2016). Regulation (EU) 2016/679 of the European Parliament and of the Council of 27 April 2016 on the protection of natural persons with regard to the processing of personal data and on the free movement of such data (General Data Protection Regulation). Official Journal of the European Union, L119, 1–88. https://eur-lex.europa.eu/eli/reg/2016/679/oj | |
| dc.source.bibliographicCitation | Fetto, F. (2020, April 6). How Fenty Beauty changed the state of play in the beauty industry. British Vogue. https://www.vogue.co.uk/beauty/article/rihanna-fenty-beauty-diversity | |
| dc.source.bibliographicCitation | Fournier, S., & Lee, L. (2009). Getting brand communities right. Harvard Business Review, 87(4), 105–111. https://hbr.org/2009/04/getting-brand-communities-right | |
| dc.source.bibliographicCitation | Francis, T., & Hoefel, F. (2018). True Gen: Generation Z and its implications for companies. McKinsey & Company. https://www.mckinsey.com/industries/consumer-packaged-goods/our-insights/true-gen-generation-z-and-its-implications-for-companies | |
| dc.source.bibliographicCitation | Fraser, K. (2023, August 21). Hailey Bieber’s Rhode skin creates lip treatment inspired by Krispy Kreme’s strawberry glazed donuts. WWD. https://wwd.com/pop-culture/celebrity-news/krispy-kreme-strawberry-glaze-rhode-skin-1235774673/ | |
| dc.source.bibliographicCitation | Goldenberg, B. J. (2008). CRM in real time: Empowering customer relationships. Information Today. https://books.google.fr/books?hl=en&lr=&id=lNp_vJdbwAoC&oi=fnd&pg=PR13 | |
| dc.source.bibliographicCitation | Holt, D. (2022). Branding in the age of social media. Harvard Business Review, 48–57. https://research-ebsco-com.rennes-sb.idm.oclc.org/c/xckfmk/viewer/html/3xknr7qaib | |
| dc.source.bibliographicCitation | Joy, A., Sherry, J. F., Venkatesh, A., Wang, J., & Chan, R. (2012). Fast fashion, sustainability, and the ethical appeal of luxury brands. Fashion Theory, 16(3), 273–295. https://doi.org/10.2752/175174112X13340749707123 | |
| dc.source.bibliographicCitation | Kapferer, J.-N. (2004). The new strategic brand management. Kogan Page. https://www.researchgate.net/publication/281803401_The_New_Strategic_Brand_Management#read | |
| dc.source.bibliographicCitation | Katos, A. (2025, July 10). Hailey Bieber’s lemon Pucci moment is summer’s zestiest trend. Harper’s Bazaar Australia. https://harpersbazaar.com.au/hailey-bieber-lemon-yellow-pucci-summer-trend/?page_data=4 | |
| dc.source.bibliographicCitation | Liang, S.-Z., Xu, J.-L., & Huang, E. (2024). Comprehensive analysis of the effect of social influence and brand image on purchase intention. SAGE Open, 14(1). https://doi-org.rennes-sb.idm.oclc.org/10.1177/21582440231218771 | |
| dc.source.bibliographicCitation | Listiawati, L., Ahmad, Y. Z., Amelia, K., & Zaelani, A. B. (2024, October 30). Analyzing the influence of endorsers on brand image formation in social media: A comparative study of celebrities, influencers, and emerging trends. Kampret Journal. https://plus62.isha.or.id/index.php/kampret/article/view/239 | |
| dc.source.bibliographicCitation | Lorincz, N. (2025, February 25). Rhode marketing breakdown: How Hailey Bieber built a skincare empire. OptiMonk. https://www.optimonk.com/rhode-marketing-breakdown/ | |
| dc.source.bibliographicCitation | Lynn, M. (1991). Scarcity effects on value: A quantitative review of the commodity theory literature. Psychology & Marketing, 8(1), 43–57. https://doi.org/10.1002/mar.4220080105 | |
| dc.source.bibliographicCitation | Mandave, U. (n.d.). How Rihanna’s marketing strategy made Fenty Beauty a $600M success. TacticOne. https://www.tacticone.co/blog/fenty-beauty-marketing-strategy#:~:text=Industry%20Impact%3A%20The%20%E2%80%9CFenty%20Effect | |
| dc.source.bibliographicCitation | McNeill, L., & Venter, B. (2019). Identity, self‐concept and young women’s engagement with collaborative, sustainable fashion consumption models. International Journal of Consumer Studies, 43(4), 368–378. https://doi-org.rennes-sb.idm.oclc.org/10.1111/ijcs.12516 | |
| dc.source.bibliographicCitation | Mumcu, Y., & Kimzan, H. (2015). The effect of visual product aesthetics on consumers’ price sensitivity. Procedia Economics and Finance, 26, 528–534. https://doi.org/10.1016/S2212-5671(15)00883-7 | |
| dc.source.bibliographicCitation | Oliver, R. L. (1999). Whence consumer loyalty? Journal of Marketing, 63(4_suppl1), 33–44. https://doi.org/10.1177/00222429990634s105 | |
| dc.source.bibliographicCitation | Orth, U. R., & Malkewitz, K. (2008). Holistic package design and consumer brand impressions. Journal of Marketing, 72(3), 64–81. https://doi-org.rennes-sb.idm.oclc.org/10.1509/JMKG.72.3.064 | |
| dc.source.bibliographicCitation | Oswald, L. R. (2015). Creating value: The theory and practice of marketing semiotics research. Oxford University Press. https://books.google.fr/books?id=WTbtBQAAQBAJ | |
| dc.source.bibliographicCitation | Pereira, D. (2025, June 23). Rhode Beauty marketing strategy (2025). Business Model Analyst. https://businessmodelanalyst.com/es/rhode-beauty-marketing-strategy/?srsltid=AfmBOooLlpVD8agPS6MTK_GgHIxkd-XPf4InKKWehRUYlnYw9_7aiwUF | |
| dc.source.bibliographicCitation | Porter, M. E., & Kramer, M. R. (2006). Strategy and society: The link between competitive advantage and corporate social responsibility. Harvard Business Review, 84(12), 78–92. https://hbr.org/2006/12/strategy-and-society-the-link-between-competitive-advantage-and-corporate-social-responsibility | |
| dc.source.bibliographicCitation | Prensky, M. (2001). Digital natives, digital immigrants. On the Horizon, 9(5), 1–6. https://doi.org/10.1108/10748120110424816 | |
| dc.source.bibliographicCitation | Przybylski, A. K., Murayama, K., DeHaan, C. R., & Gladwell, V. (2013). Motivational, emotional, and behavioral correlates of fear of missing out. Computers in Human Behavior, 29(4), 1841–1848. https://doi.org/10.1016/j.chb.2013.02.014 | |
| dc.source.bibliographicCitation | Roberts, J. A., & David, M. E. (2019). The social media party: Fear of missing out (FoMO), social media intensity, connection, and well-being. International Journal of Human–Computer Interaction, 36(4), 386–392. https://doi-org.rennes-sb.idm.oclc.org/10.1080/10447318.2019.1646517 | |
| dc.source.bibliographicCitation | Schau, H. J., Muñiz, A. M., & Arnould, E. J. (2009). How brand community practices create value. Journal of Marketing, 73(5), 30–51. https://doi.org/10.1509/jmkg.73.5.30 | |
| dc.source.bibliographicCitation | Stephen, A. T. (2016). The role of digital and social media marketing in consumer behavior. Current Opinion in Psychology, 10, 17–21. https://doi.org/10.1016/j.copsyc.2015.10.016 | |
| dc.source.bibliographicCitation | Sundar, A., Cao, E. S., & Machleit, K. A. (2020). How product aesthetics cues efficacy beliefs of product performance. Psychology & Marketing, 37(9), 1246–1262. https://doi.org/10.1002/mar.21355 | |
| dc.source.bibliographicCitation | Turner, A. (2015). Generation Z: Technology and social interest. The Journal of Individual Psychology, 71(2), 103–113. https://helenagmartins.wordpress.com/wp-content/uploads/2019/04/turner2015.pdf | |
| dc.source.bibliographicCitation | Williams, K. C., & Page, R. A. (2021). Marketing to the generations. Journal of Behavioral Studies, 13(2), 45–56. https://www.researchgate.net/publication/242760064_Marketing_to_the_Generations | |
| dc.source.bibliographicCitation | Yang, Y., Zhang, S., & Fang, X. (2021). Scarcity marketing and consumer purchase behavior: A meta-analysis. Journal of Retailing and Consumer Services, 58, 102282. https://doi.org/10.1016/j.jretconser.2020.102282 | |
| dc.source.instname | instname:Universidad del Rosario | |
| dc.source.reponame | reponame:Repositorio Institucional EdocUR | |
| dc.subject | Miedo a Perderse Algo (FOMO) | |
| dc.subject | Marketing de Escasez | |
| dc.subject | Generación Z | |
| dc.subject | Exclusividad de Marca | |
| dc.subject | Marketing de Influencers | |
| dc.subject | Validación Social | |
| dc.subject | Industria de la Belleza | |
| dc.subject | Comportamiento del Consumidor | |
| dc.subject.keyword | Fear of Missing Out (FOMO) | |
| dc.subject.keyword | Scarcity Marketing | |
| dc.subject.keyword | Generation Z | |
| dc.subject.keyword | Brand Exclusivity | |
| dc.subject.keyword | Influencer Marketing | |
| dc.subject.keyword | Social Validation | |
| dc.subject.keyword | Beauty Industry | |
| dc.subject.keyword | Consumer Behavior | |
| dc.title | The FOMO Effect: How Limited Edition Beauty Products Influence Gen Z’s Perception of Brand Exclusivity | |
| dc.title.TranslatedTitle | El efecto del FOMO: Cómo los productos de belleza de edición limitada influyen en la percepción de exclusividad de marca de la Generación Z | |
| dc.type | bachelorThesis | |
| dc.type.hasVersion | info:eu-repo/semantics/acceptedVersion | |
| dc.type.spa | Trabajo de grado | |
| local.department.report | Escuela de Administración | |
| local.regiones | Bogotá |



